Day of the Song < 30

Saturday 16 May / 10.00 - 17.30 / < 30
© Mel Boas
© Leo Samama
© Mel Boas
Enjoy established and young musicians during three recitals, College Tour with Jan Willem Nelleke, the LiedLab and more!
A whole day of the lied in action i.c.w. Friends of the Song

Internationaal Lied Festival Zeist and Friends of Song bring another day in which lied art takes centre stage in various ways. The Day of the Song is thus the chance to get acquainted with the lied. Visit one of the three recitals by duos from Friends of the Song or listen to the performers of the future during the presentations and LiedLab by students from various Dutch conservatoires. Want to know more about what's involved in composing a lied? During the College Tour, Jan Willem Nelleke will be put to the test and work with students on one of his own compositions. For those who want to sing classics themselves, there is the Sing Along Concert and, of course, you can also attend a fascinating lecture. The Day of the Song is a day lied in action!

Note: Members of Friends of the Song will receive with the code they receive by e-mail from the association 40% discount on a day ticket (€38 instead of normal €63).

This day ticket gives access to the Day of the Song as well as the evening recital Passing through Nature to Eternity With Sarah Fox, Hugo Brady, Armand Rabot and Graham Johnson.

Enter the code at checkout. More about using a discount code can be found on the page frequently asked questions at: ‘order tickets’.

Great Hall: walk-in

The World feels dusty
Great Hall - song recital 

Madeline Saputra, soprano
Apollon Kalamenios, piano

In the openinglied of this programme, a shepherd says: ‘When I die, bury me by the watering place of my flock, where there is a tall and beautiful cypress tree.’ Madeline Saputra and Apollon Kalamenios wonder if we can still connect with the shepherd, who was one with nature. Thousands of mouths passed on his melodies and words, but they fell into oblivion. This man knew his place, was aware of his temporary existence and had reverence for nature. How different it is now with humanity. The earth is being poisoned by us as it yearns for tears of pity. Deaf and blind, man plunders merrily on.

This recital by Saputra and Kalamenios is a clear statement from the current generation. They show that we all share a sense of being lost, while our roots lie within and around us. And the shepherd? He picked up a handful of earth and started singing: ‘Glory to the pines, honour to the sycamores and also to you, myrtle bushes.’

PROGRAM

Apollon Kalamenios (*2003)

O Voskos (traditional Cypriot folklied)

Aaron Copland (1900-1990)

Nature, the gentlest mother (Twelve Poems of Emily Dickinson No 1)

There came a wind like a bugle (Twelve Poems of Emily Dickinson no 2)

Francis Poulenc (1899-1963)

Chanson de l'oranger sec (Trois Chansons de Federico García Lorca FP 136/3)

Béla Bartók (1881-1945)

Eddig való dolgom a tavaszi szántás (8 Hungarian Folksongs; Sz. 64/7)

Kaija Saariaho (1952-2023)

Il pleut (Apollinaire)

Charles Ives (1874-1954)

Maple Leaves (Aldrich)

The Cage (Ives)

The New River (Ives)

Like A Sick Eagle (Keats)

Sinta Wullur (*1958)

Tagore's Fireflies (Tagore)

Apollon Kalamenios (*2003)

Ayia Marina (traditional Cypriot wiegelied)

Daan Manneke (*1939)

Cession (Sept poèmes no. 5; Bouchet)

L'éteule (Sept poèmes no.7; Bouchet)

Olivier Messiaen (1908-1992)

Pourquoi? (Trois Mélodies no. 1; Messiaen)

Action de grâces (Poèmes pour Mi no. 1; Messiaen)

Aaron Copland (1900-1990)

The world feels dusty (Twelve Poems of Emily Dickinson no 4)

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Main Hall: Codarts conservatoire students in varying compositions

Laila Schippers, soprano
Puck van Eijk, soprano
Grace Wagner, soprano
Teresa Pedras Cadima, soprano
Yoana Davofa, soprano
Chloë de Waal, soprano
Mar Pans, soprano
Claudia Veltman, soprano
Isaure Baljet, alto
Maria Marecos, alto
Afonso Santos, tenor
Robin Jacobs, tenor
Clayton Butler, tenor
William Heijkoop, tenor
Guyon Mingelen, bass
Luka den Boer, bass
Irene Martinez de las Muelas, piano
Daan Boertien, piano
Jan Willem Passchier, piano

PROGRAM

Robert Schumann (1810-1856)

Spanisches Liederspiel op. 74 (Geibel)

Es ist verraten

In der Nacht

Ich bin geliebt

Franz Schubert (1797-1828)

Ständchen D 921 (Grillparzer)

Johannes Brahms (1833-1897)

Neue Liebeslieder op. 65

    1. Verzicht’, o Herz, auf Rettung (Daumer)
    2. Finstere Schatten der Nacht (Daumer)
    3. An jeder Hand die Finger (Daumer)
    4. Ihr schwarzen Augen (Daumer)
    5. Wahre, wahre deinen Sohn (Daumer)
    6. Rosen steckt mir an die Mutter (Daumer)
    7. Vom Gebirge Well’ auf Well’ (Daumer)
    8. Weiche Gräser im Revier (Daumer)
    9. Nagen am Herzen (Daumer)
    10. Ich kose süss mit der und der (Daumer)
    11. Alles, alles in den Wind (Daumer)
    12. Black Forest (Daumer)
    13. Nein, Geliebter, setze dich (Daumer)
    14. Flammenauge, dunkles Haar (Daumer)
    15. Zum Schluss (Goethe)

Back to nature

Small Hall: sing-along concert

Jan Willem Baljet, baritone
Jacobus den Herder, piano

Grab your chance and sing along with Jan Willem Baljet and Jacobus den Herder. They have made a beautiful selection of toppers from the timeless lied repertoire. While singing, they will take you on a musical walk through nature in just under three quarters of an hour. Singing, the German, English and French liederen will take you to enchanting landscapes, lead you past streams and trees and show you unusual animals.

The lyrics will be handed out on paper, so you don't need to bring anything with you except an appetite for singing. The sing-along concert is a special opportunity to sing beautiful liederen together. An experience never to be forgotten!

PROGRAM

Franz Schubert (1797-1828)

Liebesbotschaft (Schwanengesang D 957/1; Rellstab)

Johannes Brahms (1833-1897)

Feldeinsamkeit op. 86/2 (Allmers)

Hugo Wolf (1860-1903)

Fussreise (Mörike)

Franz Schubert (1797-1828)

Der Lindenbaum (Winterreise D 911/5; Müller)                       

Richard Strauss (1864-1949)

Traum durch die Dämmerung op. 29/1 (Bierbaum)

Ralph Vaughan Williams (1872-1958)

The Vagabond (Songs of Travel No 1; Stevenson)

Gerald Finzi (1901-1956)

Fear no more the heat o’ the sun (Let us garlands bring No 3; Shakespeare)

Edvard Grieg (1843-1907)

Zur Rosenzeit op. 48/5 (Goethe)

Francis Poulenc (1899-1963)

Le Dromadaire (Le Bestiaire FP15/1; Apollinaire)

La Carpe (Le Bestiaire FP15/6; Apollinaire)

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Meine Rose
Great Hall: song recital

Kelly Poukens, soprano 
Marie François, piano

‘Blumen sind die schönen Worte und Hieroglyphen der Natur, mit denen sie uns eeutet, wie lieb sie uns hat’ - J.W von Goethe

Soprano Kelly Poukens and pianist Marie François take you through a personal, German floral bouquet they put together as a sign of love and comfort for the searching soul of our time.

PROGRAM

Robert Schumann (1810-1856)

Du bist wie eine Blume (Myrten op. 25/24; Heine)

Die Blume der Ergebung (Drei Gesänge op. 83/2; Rückert)

Die Lotosblume (Myrten, op. 25/7; Heine)

Johannes Brahms (1833-1897)

from: Fünf Lieder op. 105
Wie Melodien zieht es mir (Groth)

Immer leiser wird mein Schlummer (Lingg)

Klage (popularlied)

Auf dem Kirchhofe (von Liliencron)

Richard Strauss (1864-1949)

Mädchenblumen op. 22 (Dahn)

Kornblumen

Mohnblumen

Epheu

Wasserrose

Edvard Grieg (1843-1907)

Sechs Lieder op. 48

Gruss (Heine)

Dereinst Gedanke mein (Geibel)

Lauf der welt (Uhland)

Die verschwiegene nachtigall (von der Vogelweide)

Zur Rosenzeit (Goethe)

Ein Traum (von Bodenstedt)

Small Hall:

Jan Willem Nelleke, composer
Leo Samama, musicologist and moderator
Student duo Fontys Conservatorium Tilburg: Suzanne Charité, mezzo-soprano & Yik Toong, piano

The College Tour consists of two parts. Leo Samama, chairman of Friends of the Song, first interviews composer Jan Willem Nelleke. Then Nelleke works with a duo from the Fontys Conservatory's lied class on one of his own liederen. Following the festival theme, they have chosen the fourth and final lied from his cycle In the Biesbosch On poems by Wim Jilleba: Meeting yourself. Both artists are both Dordrecht natives and familiar from a young age with the unique landscape of the Biesbosch, an iconic nature reserve on the island of Dordrecht. Nelleke selected poems from Jilleba's oeuvre and formed them into a lied cycle that takes the reader - and listener - from descriptive observation to an increasingly personal experience of the Biesbosch. For students, it is unique that they can collaborate with a composer and it offers you a special experience where you are close to the music.

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LiedLab

Great Hall: song recital

Students Prince Claus Conservatoire Groningen:

Hannah Tomasini, mezzo-soprano
Michiel Nonhebel, baritone
Victoria Dmitrieva, piano

Innovation and inspiration are found through experimentation. During Friends of the Song's theatrical, vocal series LiedLab, students are given free rein in shaping a short recital. Every year, it is a surprise what the audience will see and hear.

Brahms: Feldeinsamkeit
Small Hall: lecture

Dinant Krouwel, musicologist

If there is one composer who felt a connection with nature, it is Johannes Brahms. Famous are the long walks he took alone or with friends through forests and along mountain trails. Nature inspired him from an early age and this is reflected in the choice of lyrics in his liederen. Dinant Krouwel takes the well-known lied Feldeinsamkeit under the microscope, in which man and nature merge in perfect harmony. Text and music each connect earth and heaven in their own way. As you listen, you start to hear and experience the qualities of the lied more and more in the recordings and what Krouwel himself plays on the grand piano.

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Warm where Snowflakes lie
Great Hall: song recital

Henriette Feith, soprano
Maurice Lammerts van Bueren, piano

The lied is not just a European phenomenon to connect poetry and music. For centuries, lied singers, pianists and composers have been active all over the world. And in all these lieds, nature is never far away, as it mirrors universal feelings of love, sadness or longing. Do you see yourself reflected in the duck, the heron or the snake? Do you hear your thoughts reflected by the pole star on a clear night or in the murmur of the sea? Or do you see yourself in dewdrops or cherry blossom? Even in cities, man cannot live without nature, just listen to the ciudades By Piazzolla.

This recital takes you on a world tour visiting all continents ... except Europe. You will hear liederen by non-European musicians intimately intertwined with the nature that surrounded them; often in their own language and to texts by poets from their home countries. They sometimes hark back to old folk music, such as the chansons folkloriques acadiennes by Carl Phillippe Gionet. Other times, the lied is a way to explore and shape one's own identity as the works of Indonesian Mochtar Embut let you hear: Indonesian sounds and yet not ‘world music’ but a truly classical lied. Because the artlied is always everywhere.

PROGRAM

Carl Phillippe Gionet (*1979 - Canada)

L'escaouette (Douze chansons folkloriques acadiennes no 1)

L'étoile du Nord (Douze chansons folkloriques acadiennes no 7)

Jodi Goble (*1974 - United States)

I Would Live In Your Love (Teasdale)

Jake Heggie (*1961 - United States)

Snake (Eve-Song no. 5; Littell)

Calvin Bowman (*1972 - Australia)

A Little Duck (Real and Right and True No 3; Leunig)

Hendrik Hofmeyr (*1957 - South Africa)

Happiness (Two Birthdayliederen No 2; Krige)

Maurice Ohana (1913-1992 - Morocco)

Neige sur les orangers (anonymous)

Mochtar Embut (1934-1974 - Indonesia)

Setitik Embun (Embut)

Heitor Villa-Lobos (1887-1959 - Brazil)

Veleiros (A Floresta do Amazonas no 10; Vasconcelos)

Canção do Amor (A Floresta do Amazonas no 20; Vasconcelos)

Cair da Tarde (A Floresta do Amazonas no 13; Vasconcelos)

Sally Whitwell (*1974 - Australia)

Warm Where Snowflakes Lie (Christina Rossetti)

Sadao Bekku (1922-2012 - Japan)

Cherryblossoms Lane (Katō)

Calvin Bowman (*1972 - Australia)

My Own Country (Belloc)

Astor Piazzolla (1921-1992 - Argentina)

Las Ciudades (Ferrer)

Great Hall:
afterglow with drinks and a meet-and-greet with the musicians

Jan Willem Baljet / baritone

Jan Willem Baljet graduated with distinction from the Utrechts Conservatorium and the Conservatoire Régionale de Metz. At the Mozarteum in Salzburg, he was taught by Hartmut Höll and Mitsuko Shirai, among others. In recent years, Baljet has appeared regularly as an opera oratorio and lied singer. He is widely praised for his versatility, theatrical and comic talent and lived interpretations.
Baljet has been a guest at various music festivals at home and abroad and has worked with orchestras such as Camerata RCO, the Residentieorkest and the Tokyo Chamber Orchestra. He is also part of the singing gentlemen's formation Frommermann, performs for the Diva Dichtbij foundation and is a member of Amsterdam musicians' collective Splendor.

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Henriette Feith / soprano

Henriette Feith studied singing at the Amsterdam Conservatory of Music with Cora Canne Meijer and, after graduating, specialised in baroque oratorio and chamber music. She worked with a variety of ensembles and instrumentalists and was for many years associated with the Amsterdam Baroque Choir, the Netherlands Chamber Choir and the Groot Omroepkoor. Since her student days, she has formed a lied duo with pianist Maurice Lammerts van Bueren. Feith programmed seven seasons of the vocal chamber music series Music on Chairs, for which she brought together nationally and internationally renowned musicians, and was guest programmer at theatre Flint in Amersfoort. She also has her own teaching practice where she teaches beginning and advanced singers.

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Marie François / piano

Marie François started playing the piano at the age of four and obtained her bachelor's degree at the Maastricht Academy of Music, where she was taught by Joop Celis. Following that, she obtained her masters with Alan Weiss and a postdoc with Polina Leschenko. She refined her artistry at the Scuola di Musica di Fiesole and by taking master classes with Elisabeth Leonskaja and Jan Wijn, among others. François gave concerts in and outside Europe and has since released several CDs, including Who doesn't love Chopin's Nocturnes in 2025. Her playing is loved for its virtuosity, fervour and François’ ability to let the music speak with which she takes the audience into a world where music becomes a narrative.

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Jacobus den Herder / piano

Jacobus den Herder studied at the conservatories of Zwolle and Amsterdam and completed his studies with David Kuyken and Willem Brons. He gives regular concerts with mezzo-soprano Rosanne van Sandwijk and baritone Jan Willem Baljet. He is also a member of the Jacob Olie Trio with violinist Diet Tilanus and cellist Jurrian van der Zanden, and the Simeon Quartet, which focuses on performing works by its namesake Simeon ten Holt. Den Herder is also active as an arranger. He arranged Schubert's Winterreise for baritone and piano trio and Willem Jeths' Requiem at his request. He is also presenter of the NPO Classical programme Under Den Herder's Wings.

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Apollon Kalamenios / piano - violin

Apollon Kalamenios aspired to become an all-round musician at an early age and played violin and piano. He is currently studying piano at the Amsterdam Conservatory of Music where he focuses on contemporary music, liedinterpretation and composition. He already has many performances to his name at home and abroad where his own work has also been performed. In doing so, Kalamenios also likes to seek interdisciplinary collaborations. With ballet dancer and visual artist Wisse Scheele, for instance, he created the piece Echoes of a Lost Bird, which combines music, dance and images. He forms a lied duo with soprano Madeline Saputra, with whom he won the Vrienden van het Lied engagement prize at the International Vocal Competition ‘s-Hertogenbosch in 2025.

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Dinant Krouwel / musicologist

Dinant Krouwel studied musicology at Utrecht University, specialising in lied art. He is manager of music shop Broekmans & van Poppel in Utrecht and works for their publishing house. Several times a year, he writes with great expertise about new editions of known and unknown lied repertoire in the membership magazine of the Vereniging Vrienden van het Lied. As editor, he collaborated on the new edition of Alphons Diepenbrock's liederen.
Krouwel accompanies various vocalists at the piano and, together with vocal pedagogues, gives interpretation lessons. He also lectures on lied.

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Maurice Lammerts van Bueren / piano

Pianist Maurice Lammerts van Bueren graduated with Jan Wijn at the Conservatorium van Amsterdam and subsequently obtained the chamber music endorsement. He was taught lied accompaniment by Graham Johnson and Rudolf Jansen, among others. Before devoting himself wholeheartedly to lied accompaniment, he was mainly active as a chamber musician. Lammerts van Bueren collaborated with many instrumentalists and singers such as Henk Neven, Ellen Valkenburg and Lilian Farahani. He has since recorded eighteen CDs, including the 2022 double album 57 MAZURKI featuring all of Chopin's mazurkas.
He is also a coach at the vocal department of the Royal Conservatoire in The Hague and has given lessons and master classes in lied coaching at the Utrecht Conservatoire and ArtEZ conservatoire as a guest teacher.

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Kelly Poukens / soprano

Kelly Poukens completed her master's in classical voice and chamber music and her master's in Classical Music Theatre both suma cum laude. She was then admitted to the London Masterclasses at the Royal Northern College of Music and was artist in residence in Luxembourg for TalentLAB. Currently, Poukens regularly takes private lessons with soprano Dame Felicity Lott.
Poukens is a beloved opera oratorio and lied singer. Acclaimed internationally for her excellent vocal control and vocal and theatrical interpretations, she enjoys seeking interdisciplinary collaborations. For instance, she is part of the London-based collective UU studios, where she explores new ways of making opera. She also gives recitals and has since released a trio of CDs.

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Leo Samama / musicologist

Leo Samama studied musicology at Utrecht University and composition with Rudolf Escher. He taught music and cultural history at the Utrecht Conservatory. He then became a lecturer in 20th-century music at Utrecht University. Samama was also a music critic for De Volkskrant and NRC Handelsblad and is known as the Dutch expert on modern music and musical life in the Netherlands.
He has written several articles and books and regularly gives lectures and guest lectures on topics including the relationship between music and poetry. His lectures can be heard on CDs for Home Academy.

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Madeline Saputra / soprano

Madeline Saputra studied classical singing at the Conservatorium van Amsterdam and can regularly be heard in oratorios, operas and liedrecitals from classical to contemporary. She also co-founded the project ‘Rumah’ with Singaporean pianist Elizabeth Goh, actively performing music by Indonesian and Singaporean composers throughout the Netherlands and Singapore. In 2023, she won a scholarship from the Eva Kleinitz Opera Europa Competition. She also performed under the direction of Ed Spanjaard, Jeppe Moulijn and Sam Weller.
She forms a lied duo with pianist Apollon Kalemenios, with whom she won the Friends of the Song engagement prize at the International Vocal Competition ‘s-Hertogenbosch in 2025.